The Collected Works of Harriet Beecher Stowe (CWHBS) has commissioned Amy E. Earhart to edit two Civil War Writings volumes, including “Sojourner Truth, the Libyan Sybil,” House and Home Papers, Chimney Corner, and journalism. Earhart is Associate Professor of English and affiliated faculty of Africana Studies at Texas A&M University. A specialist in nineteenth-century American literature with a special interest in digital humanities, her work has focused on building infrastructure for digital humanities projects, embedding digital humanities projects within the classroom, and tracing the history and futures of digital humanities. Earhart has a particular interest in intersection of critical race studies, as is the case with her projects The Millican Massacre, 1868; DIBB: The Digital Black Bibliographic Project; and “Alex Haley’s Malcolm X: ‘The Malcolm X I knew’; and notecards from The Autobiography of Malcolm X” (a collaborative project with undergraduate and graduate students published in Scholarly Editing). Earhart’s recent print publications include Traces of Old, Uses of the New: The Emergence of Digital Literary Studies (University of Michigan Press, 2015), a co-edited collection The American Literature Scholar in the Digital Age (University of Michigan Press, 2010), as well as a number of articles and book chapters. Her current project is a book length manuscript, “Can a Computer Be Racist?: Digital Humanities and the Infrastructures of Race in African-American Literature” and a related digital project, “Infrastructures of Race.”
The Collected Works of Harriet Beecher Stowe (CWHBS) has commissioned Melissa J. Homestead to edit The Minister’s Wooing for volume 10, Novels. Homestead is Professor of English and Program Faculty in Women’s and Gender Studies at the University of Nebraska-Lincoln. She has published widely on American women’s writing and authorship from the late 1700s through the early 1900s. She is the author of American Women Authors and Literary Property, 1822-1869 (Cambridge University Press, 2005) and the co-editor of Clarence; or, a Tale of Our Times (1830) by Catharine Maria Sedgwick. (Broadview, 2011); Willa Cather and Modern Cultures. Cather Studies 9 (University of Nebraska Press, 2011) and E.D.E.N. Southworth: Recovering a Nineteenth-Century Popular Novelist (University of Tennessee Press, 2012). Her most recent book is The Only Wonderful Things: The Creative Partnership of Willa Cather and Edith Lewis (Oxford University Press, 2021). She serves as Director of the Cather Project at the University of Nebraska-Lincoln, the Project Director of a Digital Edition of Every Week Magazine (1915-1918), and is the Associate Editor of The Complete Letters of Willa Cather: A Digital Edition.
The Collected Works of Harriet Beecher Stowe (CWHBS) has commissioned Wesley Raabe to edit Uncle Tom’s Cabin for volume 1, Antislavery Writings. Raabe is Associate Professor of English at Kent State University and a specialist in scholarly editing and digital publication. He currently serves as the Textual Editor of CWHBS and as a member of the Advisory Board of The Collected Works of Edith Wharton (also Oxford University Press). He is the editor of the letters of Louisa Van Velsor Whitman, mother to the poet Walt Whitman and serves on the advisory board of Scholarly Editing: The Annual of the Association for Documentary Editing. In addition to his scholarly articles on Uncle Tom’s Cabin, he is the editor of the National Era text of that novel on Uncle Tom’s Cabin & American Culture and the weekly installment re-issue from the Harriet Beecher Stowe Center blog.
Joan Hedrick and Susan Belasco, General Editors, are pleased to announce a contract with Oxford University Press for The Collected Works of Harriet Beecher Stowe. In collaboration with Wesley Raabe, the Textual Editor, Joan and Susan have established an Advisory Board, prepared an extensive editorial handbook, and are now in the process of selecting volume editors for the 33 planned volumes. Given the centrality of Stowe’s role in establishing the profession of American literature and the ongoing interest in her literary accomplishments today, it is a paradox that there has been no scholarly edition of her collected works. Based on the most current scholarship, the purpose of The Collected Works of Harriet Beecher Stowe is to provide a robust, readable edition of Stowe’s novels, travel writing, poetry, short stories and sketches, religious writings, and journalism, as well as an edition of her letters. We seek to build a reliable textual foundation for the next generation of Stowe scholars and students. Each volume in the Collected Works of Harriet Beecher Stowe will be printed in a hardback of 500-600 pages, depending on the volume contents. As with Oxford’s other editions, The Collected Works of Harriet Beecher Stowe will also be available by individual or institutional subscription through the Oxford Scholarly Editions Online series. With the support of volume editors from the Harriet Beecher Stowe Center, these scholarly editions will allow direct access to Stowe’s writing, with tools for scholars, allowing readers to see textual variants and move as seamlessly as possible between text and commentary. Follow us on Twitter at https://twitter.com/StoweWorks.